Len Leatherwood has made available some important insights in this post for writers and readers.
I teach a flash fiction and nonfiction class for Story Circle Network. Right now I am teaching flash nonfiction. Flash is usually a piece that is limited to around 1200 words maximum.
Here are some thoughts on this type of writing.
Flash fiction and flash nonfiction differ clearly in content, but many of the needs are the same given the conciseness of the form.
In an excerpt from The Rose Metal Press Field Guide to Flash Fiction, Nathan Leslie in his article, “The “V” Word,” states, “By focusing on language, scene, voice, and character, my students often find themselves writing compelling and effectively ambiguous stories rather than cloyingly serendipitous and artificial ones. By doing so they learn that in flash fiction:
• Accomplishing one clear goal is of utmost importance.
• Hemingway’s Iceberg Principle, and minimalist writing overall, can work wonders—understatement and purposeful ambiguity are vital.
• Every word bears…
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